Cubism

In cubist artworks,
objects are broken up,
analyzed,
and re-assembled in an abstracted form—instead of depicting objects from one viewpoint,
the artist depicts the subject from a multitude of viewpoints to represent the subject
in a greater context.

Often the surfaces intersect at seemingly random angles,
removing a coherent sense of depth.

The background and object planes interpenetrate one another
to create the shallow ambiguous space,
one of cubism's distinct characteristics.




Cubism and its legacy continue to inform the work of many contemporary artists.

Not only is cubist imagery regularly used commercially but significant numbers of contemporary artists continue to draw upon it both stylistically and perhaps more importantly, theoretically.
As an essentially representational school of painting, having to come to grips with the rising importance of photography as an increasingly viable method of image making, cubism attempts to take representational imagery beyond the mechanically photographic, and to move beyond the bounds of traditional single point perspective perceived as though by a totally immobile viewer.